lascelles perkins was one of the first stars of the jamaican music scene. studio one’s leading balladeer and one of the most underrated singers from that time. lascelles perkins sang sentimental ballads and he scored massive local hits for coxsone dodd’s studio one label. songs like “lonely moments” and “together forever” other big hits followed “the mighty organ” song as a duet with hortense ellis, alton ellis’ sister, “destiny” and a whole catalogue of standards or foreign songs as they were called. lascelles could sing any song, make it seem effortless and at the same time address it in his own unique style.

theres no stopping ludovic llorca! after having several successful releases out on labels like we play house, shadeleaf and house of disco, art of tones returns to our beloved lt family with a second 12inch the rainbow song is the follow up to the same thing ep released back in 2013.

limited to 250 copies.spain s alex font inaugurates his new acme imprint. on the a side, sound on canvas is deep and percussive minimal house with a rolling bassline and trippy sound design that is typically suited to awkward and paranoid afterhours shenanigans. the rhythm gets up more on the deep house tip, still keeping the exotic wooden percussion grooves with organ stabs and dreamy, swirling keys that fans of the mountain people or agnes and quarion will appreciate. on the flip into the flux is a sweaty, peak time people mover, using the same reliable elements like on the other side but with a swing fuelled groove and a hell of a lot of funk that fans of sascha dive or brothers vibe will no doubt dig.

when i was 10 years old my father took me to a flea market in a very small city up north in sweden, pitea. there was a little bit of everything being sold there: ski equipment, comics, porcelain figurines and vinyl. it was there and then i came across autobahn by kraftwerk. the thing is, we didn t have a turntable at the house we stayed in, on those cold winter weeks so i had to wait until we came back home to give the record a proper spin. in my mind i played it several times and i thought it was amazing. i imagined it was music from the future. what i thought when i heard it for real? didn t like it at all. the very same feeling i imagined autobahn would sound like is the one i get after listening to ishi vu s debut on omena. these five tracks, you could call it an album if you like, are playful, quirky, dreamy and very addictive. like finding a new friend you know you want to keep for a very long time.

belle alliance is the second studio album by german electronic music group ashra, released in 1980. it is the follow up to correlations from 1979 with the same band members: manuel göttsching (guitar, synthesizer, sequencer) , lutz ulbrich (guitar, synthesizer, piano, mellotron) , harald grosskopf (drums, percussion, synthesizer). the two albums released before under the name of ashra: new age of earth and blackouts (released under the name) had actually been manuel göttsching’s solo albums.

it was in high school where music joined these two boys, exchanging deep techno and trance cassettes between classes. they grew and decided to study their passion, musical production. pablo & nani share the same style but each one does it differently in their own way, we could define it as deep tech-house. in this first ep they had clear ideas, they wanted to do a vinyl that could be played at the club, either in warm up and peak time, and they have done so. “the people we like” is the favorite of dactilar, modern deep house full of details with a clean groove. “for russia with love”, pablo’s favorite, classic deep techno in honor of all his russian followers. “krampf” is the bad guy of the movie, mental techno for long dj mixes, and “the hum”, dark and powerful from beginning to end. after so many years we are pleased to present pablo bolivar & dactilar together.

to anyone with even a passing interest in the weirder end of good-time party-ready house music, freaks should need little introduction. luke solomon and justin harris have been keeping our preferred kind of dancefloor vibrating to the cheekiest manifestations of house music since the mid 90s, never letting up and moving in the same oscillations as the good ship circus company.

linear movement deliver their debut release from audub. here are three blissfully deep house excursions, bordering on ambient and dub. get ready to dance and sleep at the same time. note : cover on the border slightly broken

oh, the terror. lestasi delloro delves deeper into new yorks gritty shades of techno. returning after 2014s super-bold iscariotic lips, this new ep for macro enforces his signature clashing of disparate ends within the same, driving beat. the a sides pyrrhic mundi is endless drama, stages after stages towards eliminating mind/body separation. the b side holds percussive structure rubbed against edgy metallic sound first with every light is blue, and then unfolds into ultimate basement club action in sky unknown. heavy low end maintained throughout.

ltd nice price ...a self-confessed fascination with 80s music and film scores from the same era..george thompson has an ability to approach music with a strong visual aesthetic which is a common theme in his work, first apparent in his role as part of the duo spectral empire, alongside kyle martin.

edizioni mondo presents serie due! while the first chapter with four releases dedicated to seascapes ended with the compilation collezione, we are now delving into a new part of edizioni mondo’s world that presents new views and also artists. niagara, the first release, anticipates the l.u.c.a. album and contains 3 different versions of the same track: one from rotla, one from polysick and a l.u.c.a.s own quirky version that is surprisingly dancefloor-friendly. the name mondo has its roots in “mondo movies” is inspired by libarary music and has the goal to produce music that is descriptive of concepts, images and environments. good listening!

the chicago based perpetual rhythms label welcomes trinidadian deep to the family for their 6th release, native bush ep. trini is known for his deep, spiritual, and tribal sounds on labels such as ron trents future vision records and neroli.the same holds here for his ep three deep house tracks exuding love through percussive and atmospheric vectors.

dka starts the fire with his endless no hope. a track that has exactly the right amount of everything. jens bond whispers the lovingly crafted insae, it could mean madness but why does it sound so good rafaele castiglione & praah musique are 10.000 km afar from each other and teamed up to create the mind boggling ayahuasca ceed. debuts here and brings us the perfect soundtrack to get lost in. endnight is light and darkness at the same time, a stroboscope of emotions.

uk house veteran phil asher arrives on rekids with the latest project in his storied career, a collaboration with emergent london poet & musician james massiah. having chanced upon him a performance during a fiona bevan presents night at dalstons servants jazz quarters, asher immediately approached massiah about a possible collaboration: as soon as i heard james i knew i had to work with him. his poetry is infectious, textured & interesting. time & space took years to imagine but 25 minutes to write. it took james approximately the same amount of time to lay his poem down. asher approached matt edwards with the results, and the time & space ep was confirmed for release on rekids: two original cuts of futuristic house emboldened by massiahs electrifying street poetry, and a reprise version of the title track which steps away from the dancefloor to bring the lyrical content into sharper focus

after remixing idriss d’s “alger”, eduardo de la calle returns to memento records with a 2 tracker. the spanish vinyl maestro, analog solutions label owner and beatz documentary maker delivers 2 majestic cuts of deep techno at its best, inspired by the early ricardo villalobos music released on kanzleramt or playhouse some 15 years ago. following the same ideas of building and de-constructing sound patterns made up of pure minimal elements, eduardo here tries to be as simple as he can: direct and repetitive, back and forth non stop compositions that take on a life of their own as they expand and contract. the ep was made in a week of intense and mesmerizing studio work. * die einführung* is a 10 minute number where korg poly 61 arpeggios and spellbinding melodies draw the listener down a psychedelic hole of frequency shiftings and lysergic percussions. * sonst werden* is built around hazy chords and ghostly vocal snippets soaked in a feedback of tape delay, sinister ambient sounds vibrating in the background.

following the release of the ‘extraction’ and ‘hydraulic pressure’ 12”s earlier this year, adventice – the incendiary collaboration between dj deep and roman poncet, returns to tresor. while taking the groove up quite a few notches, and as per its two predecessors, ‘exsurgence’ unfolds in three different versions around a common theme.
the ‘main mix’ opens into hammering chords yet taking a delicate turn into an synth-heavy refrain. on the flip, the ‘reduced mix’ follows the same composition while playful and cinematic as the use of hihats add a skip to your step and pick up the pace. the ‘percussive mix’ and its rapid drum patterns, exude a fragrance of vocals triggering endless soundscapes.
with this new three track single, dj deep and roman poncet deliver a fierce package, another warning for what is still to come for the duo.

iib next release comes from french duo baptiste & pierre. 2 tracks of warm tropical goodness. virage is a deep mellow afro tinged tropical workout. muted guitar hook and nature sounds conjuring up far flung deserted beaches. ruf dug beefs it up a touch and moves it indoors giving it a more afterhours feel. the second track has the same evocative feel as virage with added atmospheric pads and a bouncy melody. like a closing track on an 80s road movie. full of emotion. italian maestro deep 88 creates a truly authentic slice of early ninetoes deep dreamy house. perfectly wrapping the original in warm analogue drums. another quality release from iib.

after a very promising debut almost an year ago with their *super quartet ep*, nas1 are back on bosconi extra virgin with another 6 tracker of modern detroit influenced house. the record starts with the wobbling shuffles of 2 bass heavy cuts, the robotic melancholy of *head on* and the funkier-ecstatic *bravo cafe&#769,,,*, while on the closing cut of a side appears the stomping garage beat of *la tosse*.
the talented duo from bologna then shows its great technical skills within creating unique grooves: nastier vibes those look like coming from a dirty and dark basement open b side with the dusty, dubby and whirling jam of *rabbit backbone*, while with the following *seemed* track they keep the mood in the same hypno-delic direction just making everything sweeter and smoother in order to end in a proper way this vinyl with the soulful and joyful downbeat of *seduta*. italian docg modern soul!

“transmisiones atlanticas” written and produced by tensal aka hector sandoval, who is half of exium. this is a proper look on producers solo material mainly focusing on strong sequencer based hypnotic driving techno that would easily be in the same box as music produced by regis and sleeparchive. modularz is very satisfied with the results of this massive 8 track release sold separately on two vinyls. there is incredible a list dj support on this release, highly recommended.

* transmisiones atlanticas* written and produced by tensal aka hector sandoval, who is half of exium. this is a proper look on producers solo material mainly focusing on strong sequencer based hypnotic driving techno that would easily be in the same box as music produced by regis and sleeparchive. modularz is very satisfied with the results of this massive 8 track release sold separately on two vinyls. there is incredible a list dj support on this release, highly recommended.

margaretha ep from artist vincenzo pizzi is a four tracks.ep. an emotional and intense techno deep sound experience . margaretha track, narrows a journey into our deeper side. distortions, the time, the interlocking of different sounds fully express the flow of emotions and absences that surround us. holy mother , reflects the helplessness of men in the face of natural disasters. the breathtaking scenery and at the same time disturbing, spreads in humans fear and pleasure. metafisica , built an idea of constant movement and never stand still. the mind and the heart are in constant need of each others to fully enjoy life and go further without fear. xxiii piece close the ep with the intent to comunicate how life is about the perfect combination of body and soul.

marc cerrone became the star of incredible live experiences in paris and elsewhere. as if, after having spent the first step of his musical career elaborating his repertoire, he’d chosen to devote the second one to make it live permanently. firstly on stage, then through younger generations: when bob sinclar samples his music or invites him to collaborate, it’s a new way for cerrone to keep his main ability alive: make crowds dance. a talent which most of his younger fans - todd terje, prins thomas, james murphy and a whole generation of cosmic disco lovers - agree to and get inspiration from. from 1976 to 2014, cerrone, whose discography makes so many others jealous, never stopped playing and keeping his beat which he considers vital. and if disco music had to be summarized to one artist, one creator, it would be him and nobody else. this exclusive double lp sounds like a tribute to his prolific discography, containing incredible remixes talented producers. a cd with all tracks is included.

‘we should shout’ features nicola duncan over a classic house vibe with a beautiful moody organ rolling over a hard house bass line.
‘babylon fall’ classic – beautiful – sweet stuff from the persian featuring vocal snippets from the talented sevi g.
the name of the next track is the same as the label: ‘existence is resistance’ this has electronic tinged synths with a hard electronic bass riff, it has glimpses of the authentic early electro sound of 83-84 complete with vocoder.
‘pot of gold’ : disco sounds of the roller skating era.

marvis dee opens the newly varnished in the my dreams imprint with a boogie-led 5-track ep of late-night 80s house and slow groove-soaked beats. drawing from the magical influence of the conga-a-plenty tr-727 drum machine along with stomach rumbling basses and glistening synth romanticism conjured from the same machine. sailing over alpha moon is the first in a 3 ep series exploring these ideas, machines and the nostalgic attachment to things we have once experienced but may not remember. trapped solely in the memories of others, but returning in our dreams.

keep your eyes peeled for warm tapes adjustment the new project that took place between detroit and berlin. the two sides of the same coin bring the name of gari romalis and scm. four tracks ranging from well know garis house imprint to hyped tunes performed and cutted by the emergent berlin producer. dont miss the chance to get your hands on this pure dope wax!

following on from his releases on kolour recordings and profound, berlin resident ant orange’s latest 12“ on karaoke kalk is an innovative record packed full of diverse and lively tracks. the five tunes on the single take in an extremely wide range of styles, fusing elements of tribal drumming, funky soul, nu jazz and deep house. omi gets the ball rolling with groovy off beats and a wonky kalimba melody to get your feet tapping. yesterday is a funky dance-floor track while tunes like are you alon and the look are filled with romance and vibes under the careful guise of eclectic electronica. the track hands together brings the 12” to a close drawing inspiration from the same marlene shaw vocal sample that st germain used to such great effect on their hit rose rouge. ant orange brings a new twist to this iconic soul-jazz voice embedding it in a contemporary down-tempo groove. although originally from leeds uk, ant orange has such an mixed range of influences and styles present in his music that the result in a truly global sound. ant orange relocated to berlin some time ago where he now plays out at any opportunity, and with this new single he is again giving something back to his fellow vinyl junkies.

luigis primo and unconditional beauty both made their way through the charts to become number one in the techno charts and we are tipping magic land to do the same! storming his way back onto drumcode luigi madonna closes off the summer with a 2 track ep smasher that will see him welcome in autumn with a bang. each track contains the solid, raw drums that are the backbone to each track luigi has conjured up. with a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the italian.

following a decade of producing and djing as hrdvsion, nathan jonson step at what point does this world become too complex for its creator to be all knowing and all powerful? to create an ever changing there needs to be an ever expanding complexity. as in to say never again because of impossibility. we are changing therefore we can never be the same. within this infinite expansion a complexity that has always been, is now revealed

this new strand release on lowriders, maleza is a very personal take on bass music, juke, west coast hiphop, jamaican music, prepared pianos, old detuned synths, odd time signatures and huge live reverbs. the idea of the record came when i was going through a lot of personal struggle and i was not able to get out of it. in the same period i decided to run in the woods near my home early in the morning. i ran every day, and ran and ran. eventually i got out of my problems. so i left the maleza away. this is a very personal record, each sound has a deep meaning about me and my loved ones. maleza means bad herbs, weeds, undergrowth in spanish.

poker flat’s forward to the past anthology returns in its 3rd iteration, as lean and mean as it ever was and precision-engineered to make you jack, dream and all things in between. the winning formula remains the same: task a selection of hotshot veteran and up-and-coming producers with recapturing the style and mood of early club music, paying homage to the golden years between 1985 and 1992 when chicago house and acid, new york house and detroit techno took the world and its dancefloors by storm.

for the 10th release of the label we have a solid ep by the label owner, rhythm&soul. after few strong releases on other labels it s time to put some warm vibes and juicy beats on his own label. slow town x has an old school taste but sounds very fresh at the same time. serious grooves ahead! -lost grooves- is a hypnotic track that keeps you dancing and flying from the beginning till the end. -cookies- is a classic sampling house track with fat 909 beats. a tribute to a big hip hop producer that passed away (for those who know!). and finally when he goes deep is a long oneside track that drives you through a deep trip while a female voice reminds you what it sounds like when he goes deep. a release full of rhythm and soul of course. repress

after debuting on rebirth with their new alias easy to remember (inspired by the famous song from st germain of the same name) niro and elia perrone release now on their own unclear label. the ep contains two originals backed by three remixes.royal rumbles obscure synth melody and obsessive pitch changes pave the way to sinister background noises and beats, whereas jazz cowboys free style drumming, syncopated rhythm and xylophones blur the line between house music and free improvisation. minimonos remix of royal rumble brings the kick drum to the fore and adds a staccato bass line coupled with some stop & gos that spice up the vibe of the track. giulio etiopes rendition of jazz cowboys adds some deep pads, flute sounds and a trumpet sample leading into a dreamy break, with def safaris dark rework turning it instead into a galloping percussive tool.

farbwechsel is proud to present james booth s vinyl debut, a six-tracker of driving house and techno pieces. tell me lies follows a superb full-length album released on the excellent 100% silk in 2013 and continues on the path to establish james booth s own sound. his voice is characterized by an unbelievable precision and sensuality that defines his finely sculpted songs down to the last filter opening. it is this razor sharp focus that fills the eps minimalist approach with tremendous weight and power. at the same time, this purity also renders the songs to become multifunctional entities capable of lighting up dancefloors while also perfect for the headphone listener.

double 12 inch vinyl in gatefold sleeve.

rarest of the rare and holy grail are terms often thrown around all too easily. in this case both apply, incredibly rare and sought after as well as being a quality piece of music on both sides, you won t get higher up the disco food chain than this. a few weeks ago we brought you 2 unreleased track from the same band but these 2 might as well be unless you have $4000 sitting around for an o.g copy, if you can find one. strictly limited and no repress on this as per o...

we are pleased to present with * black hole* by meta.83 the work of a consequent defender of the art of analogue production. the soon available track * black hole* by the liebe*detail co-founder jinxed us from the very first moment and it was clear to us, that we d like to add a number of top-class remixes beside the original. for this we were able to win no one else then the tobias and borrowed identity (after his recent release on pastamusik * crack in the box ep*). the powerful acid bassline in the original version as well as in the gravity version creates from the very first moment a hypnotic undertow which seems to keep increasing throughout the track. its masterfully celebrated how to generate effective hits by carefully chosen elements and canny used effects. tobias also devote the focus in his interpretation on the acid aspect – but with more dynamics and with a higher beat frequency which will make every techno-djs heart beat faster. when carefully set tones are fading in and out this version gets a brilliant final touch. the remix of borrowed identity sounds in its structure more dirty and rough and though at the same time very fragile. a wonderful gem in pure culture drifting towards a black hole ..... perfect.

this very limited special promotion pro techno-vinyl is pressed to promote the party that is held on the 17th of october 2015 in tilburg eindhoven. the sterling moss remix of jack wax classic *wax is all* is never pressed on vinyl before - only released on flatlife digital and a floortechnokiller. the special track from chris liberator & sterling moss is licensed from cluster 909 and a straight on pumping techno track. the steve mills track is really rare acidtrack and never released, same for the zombie nation-dream-booty techno version from rene reiter! dont miss this excellent rare release!

same procedure, different music! again the imprint’s limited serie steps up with a one-sided vinyl. limitation to 50 transparent vinyls only! this time the music is contributed by no other than snuffo, one half of the infamous snuff crew. well known through releases on labels like bpitch control, rush hour or their very own imprint snuff trax the boys are no stranger to the scene. „one of those nights“ is a good example for snuffo’s versatile musical approach as he delivers a pretty technoid piece of music. the track is all about the hypnotic vocal-sample that makes you wanna go mad. paired with a heavy-ass baseline this track is exactly what you need to have one of those nights.

various artists pt.2 follows on from 2014’s storming rsn002 printed insert included great dj support – see below… “various artists pt.2” follows on from 2014’s rsn002, lead by a storming track from bleaching agent and introduced the like of divided and manse. part 2 follows brings the same energy with four sterling tracks. ‘serial experiment 1’ by unklone kicks things off in full force with a pulsating lead that ebbs and flows, glittered with enchanting cries. ‘silence coloured in’ delves into a deeper side of myler s sound, melding mystical synths over a clattering beat. ‘pass’ sees pris return with a driving track molded for the dance floor that builds and releases tension throughout. ‘untitled 1’ shows chicago flotation device at their very best, taking the listener on a journey through an analogue wasteland.

das siebte studioalbum einer der besten us-alternative-rockbands. die vinyl-lp erscheint inklusive downloadcode.

continuing to release the gems, andreas gehm makes his super rhythm trax debut with a 4 tracker of on point acid house music that sounds both modern and classic at the same time. ranging from the crooning 303s of i dont dance through the lush detroitesque strings of there to the box working fire department west and the almost dbx like modulation on control your mind, there s something for all fans of real techno and acid music on here. super rhythm trax delivering the goodness again

we had no choice but to bring back our friend kiko navarro after the success of the new life ep released on local talk earlier this year. isao is kiko at his finest, a beautiful and hypnotic house track that has the perfect blend of afro and latin elements with a bouncy electronic edge. theres also a mighty fine remix coming from jose marquez. jose develops the vocal elements and brings in a whole orchestra of drums taking the track in a sweatier direction. kiko also delivers a koki dub where he continues on the same vibe and adds strings complimented by shakers and percussions throughout the track.

poker flats forward to the past anthology returns in its 3rd iteration, as lean and mean as it ever was and precision-engineered to make you jack, dream and all things in between. the winning formula remains the same: task a selection of hotshot veteran and up-and-coming producers with recapturing the style and mood of early club music, paying homage to the golden years between 1985 and 1992 when chicago house and acid, new york house and detroit techno took the world and its dancefloors by storm. the result is a collection of new and exclusive tracks as addictive as the stone cold classics that influenced them - a tribute and, at the same time, the cutting edge of contemporary music production.

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

100% dynamite explores the links between reggae, jazz, funk and soul. the album is jam-packed with reggae tunes that have crossed-over and become cult dancefloor hits in clubland such as >greedy g<, >rocksteady< and >granny scratch scratch<. fourteen tracks of music that show the influence that american jazz, funk and soul music has had on jamaican reggae. the proximity of the west indies to the usa meant that many jamaican musicians would continue to be influenced by american styles of music whilst at the same time continuing to define new styles of their own such as ska, rocksteady and dub.

theyre young and tough, and especially wonderful too, easily one of the most compelling harmony soul groups to ever hail from the windy city! the sets a chicago soul gem from the early 70s, recorded with a laidback, slightly tripped-out vibe thats different than the tighter styles of other groups from the same scene, definitely righteous at points, with some of the superbad modes you might hear from an east coast lineup like the delfonics or soul generation, especially when they were trying to get a bit more conscious in their message. arrangements are great – handled by tom tom washington, eugene record, and cliff davis, very much at the best brunswick mode, but again with a deeper sort of vibe too. the title cuts a monster, and a very fitting follow-up to their earlier sly, slick, & wicked track – and the album features 2 versions (vocal and instrumental) of a cut called this is the lost generation, a very righteous soul groove with a heavy production tip.

keeping the concept of a tight knit family of artists, up next on sol asylum is the follow up ep for the dilated pupils titled introducing remi. this collective of likeminded artists from the netherlands return to the label with a solid four-track ep that shows their range and diversity as producers. moving full speed ahead we start off with “remi at 21.16” a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. the track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion. next we take it to the next level with “do” its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room. as we move into fall with “october times” a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time. finally we finishing things off with the esoteric vibes of “suque” this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of sol asylum.

after a series of mesmerising (and massive) eps under his more disco orientated yse saint laur ant moniker pressed for time label head ant plate is back in his deep house mode with an ep of yse goodness no messing about with the opener this loves the same yse goes straight in there with some dancefloor heat that has enough quirk to counteract the house swing. 9828 is all badboy garridge wonk with some excellent detuned chords and a catchy, nagging vocal refrain - swag. on the flip, i gave you my is proper deep house (as in it s actually deep) with some trademark yse chords, blissed out vocal samples and great drum programming. night prescription rounds things off with a homage to the classic us house sound. think chuggles i remember dance but with an east midlands twist.

super bassheavy minimal hypnotic groover !! , vinyl only release
he is young, he is from bulgaria and he has a big passion for music. having previously released music only on his own label, this is his first venture into the outside world. genial gladly welcomes on board stefan dichev.
his desert brothers ep, consists of 3 tracks, hide, withdrawal and, of course, desert brothers. it’s not easy to classify the ep in a specific music genre. all 3 tracks have a very distinctive drums programming and groovy bass. they could be easily played in a big club during the peak time of a set or at a dark basement during the after hours. they have this strange deepness that calms you down but at the same time the first kick after the break easily gets your fist up.
here at the genial headquarters, we always try to find the balance between things, people, relationships, music and maybe stefan dichev has just done that with his desert brothers ep… he found the balance!